The Perfect Storm - Epilogue
🕑 Added 2023-07-03 05:00:02 +0000 UTC03:18 - Were there any reference photos of the painting and do you ever use photos?
06:26 - Wait Julian, this paper is almost what?!?! What was that cliffhanger?
07:16 - How do you clean or treat your equipment and materials to prevent mold contamination across projects?
08:37 - Explain how the kozo isn't permanently bonded to the raw canvas with the adhesive impregnation process.
11:24 - Were there tiny bits pf paint behind the canvas that were lost?
12:40 - How do you size the keys?
13:17 - Do you often use your hand and fingers during retouching, could you, would you?
15:22 - Is it possible to create impasto with the retouching paints?
17:00 - Explain your reasoning for the way you did/didn’t retouch the signature
19:35 - How do artists feel about conservation?
25:18 - Can you talk about climate change and the real danger it poses to artworks in the future?
Comments
I am newer to your Patreon and restoration work. I was so surprised to hear that this restoration was poorly received. It’s one of my favorites I have watched. I think you made an important statement about climate change that folded in beautifully with the story of Walter Dean and this particular painting.
I loved both Part 1 and Part 2 of The Perfect Storm. The climate IS changing. People can say till the cows come home that it’s all part of a natural cycle of weather, but when their fancy beach houses wash away, they will fight to get to the head of the line to ask for FEMA assistance.