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Chapter 102 - Suspicion

🕑 Added 2023-03-15 13:43:13 +0000 UTC
Chapter 102 - Suspicion

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TMarkos

Welp, we've got one arc left. We're going to get where we're going eventually...

TMarkos

I think I got Luc's image decently close to the first instance in chapter 88, but a bit prettier since it's a more official propaganda poster and not slapshod revolutionary propaganda. I'm glad I was able to make him look a bit more determined/focused in this one. Regarding his tactics vs. Luc, he did arrive at a method that would work - his immediate decision at that moment was to try and kill Luc using Spark, which he had refrained from using against Luc in prior conflicts due to the unforgivable nature of the soul. His decision was basically that he couldn't hold back anymore, no matter the cost. One of the themes I've tried to work in with regard to souls is that there's a sense of scale that's beyond the human when they're working. Mike first really notes it when he sees Leire attack the battlegroup outside of Leik, and it comes back again several times after that when he's up against titanic forces. Now he's finding himself on the other side of that divide, where he's gained a lot of power and is losing sight of certain things on the human side. It's partially a matter of perspective - as Antolin notes, his concern is less that he won't be human and more that he won't be like other humans. Ultimately it's a problem that stems from defining oneself in terms of perception rather than terms of being, which is why the epigraph is what it is today.

Kevin Zhang

When mike lets loose its gonna be glorious

Blorcyn

Luc looks far more Calvin-Klein-Model-in-New-Campaign ready than I had ever imagined, but I like it. A life of malnutrition and hardship can only highlight those cheekbones, I guess. Spark and the work camp played right into his hands. Hand. Well, I suppose if he is to be Michael's reflection per the opening proverb, he needs to be more aristocratic than I imagined. >To stop a rogue Star, much would be justified. To stop the current Star - nothing is too much, because he will not shy away from that power you fear. I like how this links up with the proverb, the way that Michael is viewing himself, and Luc. With the flesh and bones they share, and what he might become when Luc's soul comes to him, should it come to him. I find myself a little unsure why -- in moments when were so close to Michael in the narrative -- he doesn't seem to also wonder how he'll do what he needs to do to leave Ghar alive. When Luc got Carolus' soul he felt that Luc had become an obstacle he could not overpower, and I that suppose whatever the method the narrative shouldn't tell us now if it's something that would work, but it seems strange that in the middle of such a concrete period of fretting he doesn't think of what he /could/ try against Luc even off-hand. It feels like he's thought of something but we're being kept from it. I also like his thoughts on his humanity, while then immediately showing why that his loss of several parts of his human experience aren't robbing him of his humanity and his filter, why he thinks he's more Luc-like than his Michael-like, as he enjoys and wonders at the winter sea, and the boat, and is able to find the beauty in his sleeplessness and his sight. I find myself wondering whether, really, in the combination of the two above -- his appreciation of a wild winter sea, and a fixation on his death or luc's and the soul he shares whether I'm imagining death flags, or whether they're there. Michael's soul came to him with a rejection of the world, and he becomes more and more distant from how the world ought to work and how he as a human being ought to function, just like Luc. He's too big. Souls are at the route of this, and there's Jeorg and there's Sever and there's the river of souls, and there's no way that climactically we don't try and see this all tied together. If Michael is to die against a foe he can't overcome by use of soul, and if Michael is coming to a realisation that the natural world is something that he can accept as it is, is his ultimate arc the acceptance of death that he couldn't muster when he last died? And, when Michael 'My soul to the One' dies, will he take Luc's half with him perhaps (if Luc isn't dying at that moment, if this is instead the method by which Luc is defeated)? Perhaps, singularity wise, we're building to what Mendiko was trying for in practical terms - a world without souls, and Michael and the low souls and the high souls all going through the experience at the other end of the river. > “Except for some mildly inclement weather, it seems.” Stellar's soul doesn't just make light, Sera 'I explicitly confirm I am one of the few ties Michael can depend on, as we go into this final city of conflict, and I'm sure that's not possibly horrible foreshadowing' Lastname. :-/


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