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Script: Double Bubble
🕑 Added 2023-01-03 04:01:10 +0000 UTCI'm getting in the habit of including all of my scripts here. It creates a stable repository, and it provides full disclosure for potentially controversial material.
This is full text - it's the same version that's mailed out for assembling vocal performances.
If you think production details ruin the magic - pull back that curtain!
If you hate reading a lot of text - curtain closed! Nowww!
If you like to see a preview and a lot of text, I got you.
Do bear in mind that this rests a LOT on performance and mixing. The final sound and syncing will be improvised at the mic and on the DAW; scripts like this are more guidelines than scripture!
DESCRIPTION
This one is going to be intense.
On a personal note, I have a significant personal incentive to research neurology right now. I’m kinkifying it as I do. None of this is meant to pose as scientific authority or to do full on medfet. Still, kink derives from kinkified experience, so I’m kinking mine.
This takes place in a research wing of the DPI (D Program Institute). This is referenced in previous tracks; it’s part of the mythos. The ownership relationship between the DPI and Neuroplex also has not been specified yet.
CW: overtones of medical fetish, petplay, humping, HFO strongly implied and possible, repeated listening, addictive pleasure, girl gender specified in one mix, genitals specific in small section for distinct tracks, exhibitionism, automatic obedience implied, cocksucking implied but no “he” or “man” so it’s sapphic friendly, humping, edging and denial, hypnotism
EXTRA CW: This track involves the description and narration of facets of the self – AS distinct selves. This may have SOME correlation with the observed phenomenon of “brain lateralization” – but don’t get it twisted. This is a METAPHOR.
If you think, though, that you are prone to multiplicity in dangerous or disturbing ways – tulpa formation or differential personalities or anything of the sort – read the script and consider just taking a pass on this one.
NOTES FOR ACTORS:
There are three parts. NA is the narrator – a voice in the machine. Gentle female dominant, detached and clinical and amused.
NAR is the left brain standin. Reasoning and rational. Not hypnotized but gets horny enough to be hypnotized. Think of an excellent administrative assistant who gets really horny.
NAL is the right brain standin. She sounds a lot more like a spacy hippie. Think of a thick haze of smoke.
[Things in brackets] are just script notes.
SFX are sound effects for production. If you’re reading, don’t worry about those.
The sections are numbered for each of reference. Do not worry about those.
SCRIPT
1. INTO THE MACHINE
[This section is the explanation – expo – and hypnotic induction. It uses a number of stereo effects. The speaker’s affect should be gentle and slow. The idea is that the voice is coming over headphones to a machine-enclosed subject.]
[SFX: backdrop of medicalized noise, readouts and process beeps – data scrolls. Stereo wander effects, ambient background with binaural underlay]
NA:[authoritative, but slow and gentle. Think gentle medical authority] You need to relax.
NA:[pause for two beats] Really.
NA:We need to calibrate.
NA:We need to get it right.
NA:You want that.
NA:You want the right adjustment.
NA:We all do. It’s what we do here.
NA:So – relax. [pause for two beats]
NA:[empathetically] I know. It’s hard.
NA:It happens to all of us… sometimes.
NA:It’s natural.
NA:It’s hard to unplug.
NA:We get caught.
NA:Everyone gets caught in screens and buttons and little loops.
NA:[gentle, sympathetic] I do too.
NA:I think about the apps I check – the order I check them in. It’s always the same.
NA:You can think about that. It’s easy.
NA:We’ll make it easy.
NA:We always do.
NA:Just three apps. The ones you always check.
NA:One.
SFX phone pad click
NA:That one.
NA:Two.
SFX phone pad click
NA:Three.
SFX phone pad click. Start and maintain background click pattern – 1 2 3 with pausing
NA:[encouraging, patronizing] There you go! I told you this was easy. Baseline is simple.
NA:You just think what you always think.
NA:It’s your pattern
NA:Three apps.
NA:We just give it a….
NA:Nudge.
NA:Same order.
NA:And we…
NA:Speed it up.
SFX accelerate clicks
NA:[slightly faster] One.
NA:Two.
NA:Three.
NA:We speed it up….
SFX click pattern faster then slower
NA:Then we….
NA:[slower, relaxed] Slow it down.
NA:[slow and deliberate]
NA:One.
NA:Two.
NA:Three.
NA:Like that.
NA:Good.
NA:We slow it all down.
NA:Those clicks.
NA:That pattern.
NA:We see it.
NA:You hear it. You KEEP hearing it.
NA:Even when the sound stops.
SFX knob adjust, lower click volume
NA:We just plug different thoughts into
NA:One
NA:Simple
NA:Pattern
NA:The pattern’s what matters.
NA:Colors.
NA:Green.
NA:Blue.
NA:Pink.
NA:[slower] Green.
NA:Blue.
NA:Pink.
NA:That was easy.
NA:Right?
SFX affirmation ding
NA:Good! The pattern’s what matters.
NA:It’s more than colors.
NA:Things have colors – so we think about things.
NA:Green – like grass.
NA:Blue – like water.
NA:Deep water.
NA:Pink – like a balloon.
NA:Easy.
NA:Grass.
NA:Water.
NA:Balloon.
NA:You see it.
NA:Now…
NA:We blow it up.
NA:[long slow exhale, on right stereo channel]
NA:When we breathe.
NA:We breathe together when we think together.
NA:We blow up the balloon.
NA:One.
NA:[long slow inhale and exhale]
NA:Two.
NA:[long slow inhale and exhale]
NA:Three.
NA:[long slow inhale and exhale]
NA:That’s perfect – absolutely perfect.
NA:You relax now.
NA:As we breathe.
NA:One.
NA:[long slow inhale and exhale]
NA:Two.
NA:Relax.
NA:[long slow inhale and exhale]
NA:Deeper.
NA:Three.
NA:Just like that.
NA:You just breathe.
NA:Close your eyes – and breathe.
NA:[long slow inhale and exhale]
NA:We take care of everything else.
NA:We’ll make your adjustments.
NA:We fill in the patterns.
NA:We can tell you.
NA:It’s better if you know.
NA:We adjust it better when you know.
NA:You know this pattern.
SFX three clicks
NA:Yes?
[SFX affirm ding]
NA:Good.
NA:Where’s it coming from – which side?
NA:Right.
NA:I mean – it’s coming from the right. It should be.
NA:Let’s make sure it’s right.
SFX switch flip
NA:Right side – numbers.
NA:Left side – click.
NA:Move your headphones if you need to.
NA:It needs to be right. It’s important. We’ll make sure.
NA:One – right.
NA:Two – right.
NA:Three – right.
NA:It needs to be right on the right – because we need to talk to the right side of you.
NA:The right you.
NA:[slowly and deliberately] The right you’s the left you so we talk to the right side to talk to the left you.
NA:I know.
NA:It’s confusing.
NA:It’s hard to think about your brain.
NA:That’s our job – we think about your brain. That’s why we have a
[SFX sync with click pattern]
NA:D
NA:P
NA:I
NA:We make it make sense.
NA:It’s what you already know – you feel it.
NA:You know.
NA:You know you have different selves.
NA:Everyone does.
NA:You’re one way when you’re out – in public. When people see you. That’s one self.
NA:You’re another way when you have…
NA:[subtly erotic] Alone time.
NA:Yeah. We see it.
NA:Something happens in your head when I say
NA:Alone time.
NA:[whispers] alone time
NA:Ohhh – that’s really strong
NA:You like that time.
NA:That’s good!
NA:You’re in that time now.
NA:We’re here – but you do or think *whatever* comes naturally.
NA:It’s JUST like alone time.
NA:Dreamy time.
NA:Time for you.
NA:All your yous.
NA:They’re different parts of you – in different parts of your brain.
NA:So we talk to them differently.
NA:We talk to one you –
NA:[stereo R] over here
NA:We talk to ANOTHER you
NA:[stereo L] over here
NA:They’re both you – but they’re different.
NA:It’s how your brain works
2. OVERLAPPING – DREAM INTERLUDE
[This section should be spoken slowly and clearly. It may not make much sense on the page, because it’s designed to lap and overlap]
NAL:We see it – and we change it – and your brain works better
SFX overlap
NAR:Your brain works better when the right thoughts go on the right side
SFX overlap
NAL:The right side thinks the right thoughts and the left side thinks the left thoughts so we talk different to different parts of you so you understand
SFX overlap
NAR:You understand words better on this side
SFX overlap, stereo wander
NAL:This side understands feelings better so if we want you to feel something, we talk to this side
SFX overlap
NA:We talk to this side for
NAR:Logic
NAR:Planning
NAR:Numbers
NA:We talk to this side for
NAL:Intuition
NAL:Feelings
NAL:Magic
NA:They’re different yous
NA:They do different things
NAR:They think different things
NAL:They feel different things
NA:This you tracks
NAR:Numbers
NAR:Money
NAR:Thinking
NAR:Time
NA:This you tracks
NAL:Sensing
NAL:Dreams
NAL:Sinking
NAL:Rhyme
NA:All the thoughts get stronger when you both think them TOGETHER
NAL:All the yous when you both think them WHETHER you feel it or
NAR:know it
NAL:or
NAR:think it
NAL:or
NAL:sense it
NAR:Because the you you think is you is always
NAL:Because the you deep inside was always
NAR:You
NAL:Two
NAR:Who hears both the yous and chooses
NAL:Who feels both the yous and senses
NAR:Every time
NAL:Every rhyme
NA:Every chime
NA:There’s a new you
NA:There’s a self who
NAR:Thinks
NAL:Sinks
NA:There’s a you between the yous
NA:There’s a new you each time we
NAR:Each time
NAL:Every time
NAR:You see double
NAL:You hear double
NAL:You feel double
NAL:You dream double
NAR:We breathe in
NAL:We breathe out
NAR:Into the bubble
NAL:We grow the bubble
NAR:We see the bubble
NAL:We feel the bubble
NAR:I know what’s happening
NAL:I already felt what’s gonna happen
NAR:You thought it
NAL:You felt it
NAR:You see it
NAL:You dreamed it
NAR:I know it’s dream time now
NAL:It has to be been dream time now
NAR:All our thoughts
NAL:All our thoughts
NAR:Bubble goes
NAR:Bubble goes
NAL:Double goes
NAL:Double does
NAL:All of us
NAR:All my thoughts
NA:Pop
NA:Drop
NA:Stop
SFX long falling tone
NAR:Pop
NAR:Drop
NAR:Stop
NAR:[three orgasm noises – muted moan, gasp, and an “oh my gawd” oooo]
NAL:Pop
NAL:Drop
NAL:Stop
NAL:[three orgasm noises – muted moan, gasp, and an “oh my gawd” oooo]
3. SUBMISSION
[This section should be more overly dominant. Still gentle fem domme – but we’re past the explanation and into the overt sexuality here]
NA:Oooo – you liked that.
NAR:We saw that.
NAL:We felt that.
NA:That’s good!
NAR:You don’t need to worry.
NAL:You don’t want to worry
NA:Remember – it’s alone time now.
NAR:They told us to feel good
NAL: They want us to feel good
NA:We clean the machine every time so -
NA:You’re allowed to drip.
NAR:Drip
NAL:Drop
NAR:Mind
NAL:Pop
NA:Dripping’s good!
NA:Dripping helps you drop, and dropping helps us make sure all the yous get their adjustment.
NA:Do you remember your adjustment.
NA:You asked for it.
NA:You always ask for it.
NA:You PLEADED for it.
NA:You begged.
NA:You always beg.
[long pause]
NA:Do you remember?
[long pause]
NA:I remember.
NAL:We remember.
NAR:We remember.
NA:It’s one word.
NAR:[whisper] submissive
NAL:[whisper] submissive
NA:It’s what you want.
NAR:Need
NAL:Crave
NA:You asked for it.
NA:You always ask for it.
NA:We adjust you every time
NAR:Every day
NAL:Every night
NA:Of course you forget.
NA:You always forget
NA:Then you come back for more
NAR:And more
NAL:And more
NA:That’s good!
NA:You get closer every time.
NA:You’re almost there
NAR:It’s gonna be perfect
NAL:Better and better and better and
NA:It’s simple
NA:We know you’ll be perfectly submissive
NAR:perfect
NAL:Pretty
NAL:Plesasing
NAR:Perfect
NA:You’ll be perfectly submissive when both your yous
NA:All your yous
NA:Submit together
NAL:Together
NAR:Together
NA:You’re close
NA:All your yous submit
NAR:Need to submit
NAL:Want to submit
NA:They – you – just submit a little differently
NA:We’ll show you – it’s in your triggers
SFX tuning fork strike, double bubble pop
4. CRAWL
NA:crawl
NAR:Crawl
NAL:Crawl
NAR:[slow, but precise and awake] crawling time
NAR:crawl when we hear the ding just like they taught us
NAR:I know how to do this – I remember
NAR:Right arm – left arm – no no no – I know better
NAR:Front leg – right – back leg – right – front leg – left – back leg – left - Front leg – right – back leg – right – front leg – left – back leg – left - Front leg – right – back leg – right – front leg – left – back leg – left
NAR:and – wag– just like they told us
NAR:Always remember our tricks like a good pet
NAR:I’m a pet not a person
NAR:[pants slow then fast]
NAL: [slow, dreamy, spacy, think of WAY TOO MANY bong hits and mind unravels] crawling dreams
NAL:crawling dreams again in the cage again they have to cage us
NAL:I know we’ll do this – automatic
NAL:We know how to move – what to think
NAL:Front leg – right – back leg – right – front leg – left – back leg – left - Front leg – right – back leg – right – front leg – left – back leg – left - Front leg – right – back leg – right – front leg – left – back leg – left
NAL:tail keeps wagging – everyone knows we’re in heat – have to wag
NAL:pets always in heat – just a silly bitch – always in heat -
NAL:I’m a pet not a person
NAL:We dream it – every night – wake up to wet pillow cause – [pants, slow then fast]
NA:All you have to do is…
NA:Rhyme
NAR:Rhyme
NAL:Rhyme
NA:Just like that!
NA:You were always pet-level.
NA:It was always in your head – we just had to line it up.
NA:You did the work for us. That’s how it should be.
NAR:It feels right
NAL:It feels good
NA:Just like when you….
SFX whoosh for thrown object
SFX tuning fork noise, double bubble pop
5. FETCH
NA:Fetch!
SFX ball dropping on hardwood floor
NAR:[obedient] fetch!
NAL:[panting, puppylike] fetch!
NAR:[more human, logical, obeying commands but still conscious] I’ve got it I know I’ve got I can see it see it sparkle follow the sparkle
NAL:[do once slow spacy, once silly enthused] sparkly shiny happy sparkly shiny happy
NAR:got it! Ball in mouth – no hands this time – good pets don’t use hands – only good pets get treatstick – no hands just mouth - its good to drip – drip from every hole – dripping holes gets used – they’ll use every hole if we
NAR:[pant for 15 seconds] [whimper for 30 seconds]
NAL:yummy! Yummy! Mouth time! Mouth time means
NAL:: [pant for 15 seconds] [whimper for 30 seconds]
NA:Awwww
NA:What a precious pet!
NA:Well, pets.
[SFX two thunks as pets drop balls]
NA:I know them both – and so do you.
NA:You can see them.
NA:See them with me.
NA:You see outside self.
NA:Logical – normal.
NA:But there’s something underneath.
NA:Secret collars.
NA:Writing under your clothes.
NA:Dripping wet in the pet aisle.
NA:Dripping wet just like – HER.
NA:Dreamy.
NA:Drifting.
NA:Always touching.
NA:Always panting.
NA:Always in heat.
NA:All we do is – make them match.
NA:[double clap] Clothes off, Gigi. No clothes in here.
SFX clothes drop to floor
NA:And for Fifi – well, you might have to think a little bit now.
NAL:[whiny whimpers, do three]
NA:Awwww – it’s ok – you still think what you’re told.
NA:You think together – You know I love it when you
SFX tuning fork
6. SPEAK
NA:Speak!
[these mantras are the underlay for the main narrator saying]
NAR:[repeat three times, increasing horny] I’m nothing but a dripping pet – I stay leashed and chained and wet.
NAR:[repeat three times, increasing horny] I’m a silly bitch in heat – I’ll fuck anyone for treats
NAR:[repeat three times, increasing horny] Spread my legs and you can see – I don’t need brains or dignity.
NAL:[repeat three times, increasing horny] I’m nothing but a dripping pet – I stay leashed and chained and wet.
NAL:[repeat three times, increasing horny] I’m a silly bitch in heat – I’ll fuck anyone for treats
NAL:[repeat three times, increasing horny] Spread my legs and you can see – I don’t need brains or dignity.
[the mantras and panting underlay…]
NA:I promised you’d like it! It’s different from other words.
NA:Words like that are just music.
NA:That’s past thinking.
NA:It’s past feeling.
NA:It happens when you go deeper.
NA:Double deep.
[SFX tuning fork twice]
NA:Double deep means we touch a different part of your brain.
NA:All the way back.
NA:Back with reflexes.
NA:You remember differently.
NA:Like riding a bike.
NA:Throwing a ball.
SFX ball throw, retrieval drop
NA:Good Gigi! [giggles]
NA:You never forget.
NA:You get on the bike.
NA:Ball in your hand.
NA:Ball in your mouth.
NA:You hear the tone and ….
NA:Your body remembers.
NA:All at once.
NA:Your body knows what to do – it just takes
NA:One word
SFX clock wind, tuning fork, double bubble pop
7. SUCK
NA:Suck
[this section is underlaid with suck dialogue and sounds from the other part]
SFX double knee drop
NA:It’s double now
NA:And double again
NA:And again
NA:Double bubble makes words more than words
NA:Words more than words because
NA:You don’t think about them
NA:It’s different from thinking
NA:Deeper than thinking
NA:It’s a reflex
NA:Like when we
NA:Tap your knee
NA:When we run an ice cube over your nipple
SFX: reverse triangle
NA:Again
NA:And again
NA:And again
NA:When we
NA:Tickle
SFX tuning fork, double pop - giggle
NA:It tickles in your head
NA:It tickles in your throat
NA:It tickles down there
NA:[genital variant] It tickles your clit
NA:[genital variant] It tickles your cock
NA:[genital variant] It makes your cunt
NA:[genital variant] clench
NA:[genital variant] It makes your cock
NA:[genital variant] twitch
NA:[genital variant] It’s automatic
NA:[genital variant] All the muscles around your cock
NA:[genital variant] All the muscles – down there
NA:Clench
NA:Almost there
NA:Almost
NA:Not yet
NA:Cumming’s a reflex too
NA:Like catching a ball
NA:Like your tickles
NA:You have to earn those tickles
NA:You have to earn those tingles
NA:You have to do something for us first
NA:You have to….
[this section is mantric and underlays the main dialogue up until the…]
NAR:[underlaid as mantra – say three times] Tick – tock – suck - cock
NAL:[underlaid as mantra – say three times] Tick – tock – suck - cock
NAR:[underlaid as mantra – say with mouth full twice] Tick – tock – suck - cock
NAL:[underlaid as mantra – say with mouth full twice] Tick – tock – suck – cock
NAR:I suck it right – always suck it right – head bobs up and down and up and down and – tongue swirls round and round and – gag like a good girl – good girls gag for Owner – Owner loves it when we gag – look up like a bad girl – bad girls are good girls are bad girls are good girls are bad girls
NAL:[say with mouth full] suck it right – always suck it right – head bobs up and down and up and down and – tongue swirls round and round and – gag like a good girl – good girls gag for Owner – Owner loves it when we gag – look up like a bad girl – bad girls are good girls are bad girls are good girls are bad girls
8. HUMP
[this section’s underlaid by mantra – it’s the throughline]
NA:Hump
NA:Uh huh.
NA:Just like that.
NA:I told you.
NA:You’ll hump ANYWHERE.
NA:Table edges.
NA:Stuffies
NA:Couch cushions.
NA:Gear shifts
NA:The passenger seat
NA:On the bar
NA:On cam
NA:Right in the middle of the party
NA:Now
NA:In the experiment
NA:All the doctors watching
NA:Cum in your little observation chamber
NA:Cum in the machine
NA:I TOLD you – we always clean the machine
NA:We HAVE to clean it with bunnies like you
NA:Just like you have to hump
NA:You HAVE to hump
NA:We made you a hump bunny
NA:Bunnies hop without thinking
NA:Muscle memory
NA:All the way back in your brain
NA:Hop
NA:Hop for us
NA:[giggles]
NA:Breed
NA:Hump bunnies breed when we
SFX tingle pitch
NA:Bunny brain
NA:Bunny reflex
NA:Reflex means you
NA:Hump
NA:Twitch
NA:You don’t think about humping
NA:Your muscles just
NA:Clench
NA:I think you’re gonna cum
NA:Clench
NA:You’re ready
NA:Clench
NA:You’re gonna cum
NA:Cum without hands
NA:Cum in the machine
NA:Cum LIKE a machine
NA:Clench like a machine
NA:Hear the sound and…
NA:Clench
NA:Cum just from clenching
NA:Cum from humping
NA:Cum from….
[these lines are underlaid as backdrop and mantra for the throughline]
NAR:[slowly escalating intensity, as if humping to orgasm] hump – and hump – and hump – and hump – hump til I’m dumb – I’m a cumrag – I’m a cumdump – I don’t think – I just hump – and hump – and hump – and hump – hump til I’m dumb – I’m a cumrag – I’m a cumdump – I don’t think – I just hump– and hump – and hump – and hump – hump til I’m dumb – I’m a cumrag – I’m a cumdump – I don’t think – I just hump – and hump – and hump – and hump – hump til I’m dumb – I’m a cumrag – I’m a cumdump – I don’t think – I just hump – and hump – and hump – and hump – hump til I’m dumb – I’m a cumrag – I’m a cumdump – I don’t think – I just hump – and hump – and hump – and hump – hump til I’m dumb – I’m a cumrag – I’m a cumdump – I don’t think – I just hump – and hump – and hump – and hump – hump til I’m dumb – I’m a cumrag – I’m a cumdump – I don’t think – I just hump – oh fuck – oh fuck – so close – so close – oh my god – oh my fucking god – I’m gonna – I’m gonna – oh my god – gahhhh – cum bunny – hump bunny – bu bub ubbubub ububbbhbuubuubu – ummm – [climax noise]
NAL:[slowly escalating intensity, as if humping to orgasm] hump – and hump – and hump – and hump – hump til I’m dumb – I’m a cumrag – I’m a cumdump – I don’t think – I just hump – and hump – and hump – and hump – hump til I’m dumb – I’m a cumrag – I’m a cumdump – I don’t think – I just hump– and hump – and hump – and hump – hump til I’m dumb – I’m a cumrag – I’m a cumdump – I don’t think – I just hump – and hump – and hump – and hump – hump til I’m dumb – I’m a cumrag – I’m a cumdump – I don’t think – I just hump – and hump – and hump – and hump – hump til I’m dumb – I’m a cumrag – I’m a cumdump – I don’t think – I just hump – and hump – and hump – and hump – hump til I’m dumb – I’m a cumrag – I’m a cumdump – I don’t think – I just hump – and hump – and hump – and hump – hump til I’m dumb – I’m a cumrag – I’m a cumdump – I don’t think – I just hump - hump – oh fuck – oh fuck – so close – so close – oh my god – oh my fucking god – I’m gonna – I’m gonna – oh my god – – cum bunny – hump bunny – bu bub ubbubub ububbbhbuubuubu – ummm – [climax noise]
9. POST NUT
SFX – climax of beeping and reverse triangle, riser
SFX – drop to HFO low for 5 seconds
NA:Almost
NA:ALMOST
NA:That was ALMOST perfect
NA:You almost got it right
NA:You almost got the double bubble
NA:The perfect pop
NA:You know it
NA:You feel it
NA:You know it deep inside
NA:You feel it deep inside
NA:You’ll get there
NA:You’ll get the perfect pop
NA:You just need practice – and you’ll practice
NA:You’ll hear something here
NA:Or here
NA:Maybe you’ll think it
NAR:It might be me
NA:Maybe you’ll feel it
NAL:It might be
NA:You’ll lick your lips
NA:You’ll get on your knees
NA:You’ll be on all fours
NA:You’ll crawl back inside
NA:You’ll listen again
NAR:and again and again
NAR:and again
NAL:And again
NAL:And again
NA:You’ll beg and you’ll crawl every day to listen again
NA:We saw inside your brain
NA:And we know what you need
Comments
MissEmeliaSwitch
I'm not sure who did the vocals for this character, but the customer in Hump Wave could be NA, would also be an interesting cross connect & explain how the customer knew how the controls worked.
