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♀️ Feminist Friday ♀️ Gabriela Montero Born in Caracas, V..
🕑 Added 2021-05-21 14:04:19 +0000 UTC ♀️ Feminist Friday ♀️ Gabriela Montero Born in Caracas, Venezuela, of an American-born mother and a Venezuelan father, Montero was seven months old when her parents, at the insistence of her maternal grandmother, placed a toy piano in her playpen. It had been bought as a Christmas present for an older cousin. She used her right index finger to play individual notes, never banging it with her fist, to the great surprise of her parents and grandmother. It became her favorite toy. She was put to sleep every night by her mother, who sang to her the melody of the Venezuelan National Anthem, a tradition in the South American country. When she was 15 months old, her parents noticed she was picking out a familiar tune on the little piano. Three months later, before she could speak, she had picked out the melody of the National Anthem. Subsequently, she repeated this process with other songs. Montero began formal piano lessons at age four with Lyl Tiempo, an Argentinian piano teacher who resided in Caracas, and gave her first public performance at the age of five. Aged eight, she made her concerto debut at the National Theater in Caracas performing the complete Haydn D Major Piano Concerto with the Orquesta Nacional Juvenil de Venezuela (National Youth Orchestra of Venezuela), conducted by José Antonio Abreu. This was the original youth orchestra created by Abreu in 1976, which would much later evolve into the orchestra presently known as the Simón Bolívar Youth Orchestra, an integral part of El Sistema, now known worldwide. At the age of nine, she was awarded a scholarship from the Venezuelan government to study in the US. From 1990 until 1993, she studied at the Royal Academy of Music in London with Hamish Milne. Montero has been outspoken in her support for those who have challenged the current Venezuelan regime, and has deplored the state of the country and the crackdown on protesters. During a break in a concert, after taking requests from the audience and improvising on them, she told the audience Venezuela was facing a "very, very critical time". It is "one of our great tragedies" she said, adding that few outside the country understood what was going on in Venezuela. She referenced a high murder rate and, to applause, mourned what she called "the loss of our country to violence, to corruption and to the worst possible things you can imagine."
