Leonardo Battaglini

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Camera settingsISO 8001/60sf/2.835mm (prime lens)WB AutoColor Adobe RGB (1998)Saving file format: RAWHow it is madeIn this shot there is a single large French window (the one you see in the photo) that provides the beautiful light that illuminates the scene, no auxiliary light and no reflective panel. The pose, as much as it seems a bit "particular", works well because it is spontaneous and because the body forms triangles that are always an easy solution to give balance. Post-production...

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Camera settingsISO 16001/80sf/2.550mm (prime lens)WB AutoColor Adobe RGB (1998)Saving file format: RAWHow it is madeA spontaneous smile and everything is said. Seriously, it doesn't matter how the camera is setted, it doesn't matter if the light is perfect, not even how open or closed the diaphragm is... what matters is what the image conveys and in this case "beauty". For the most technicalists: the focus is obviously on the face which is the fulcrum of the image then, slowly th...

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Camera settingsISO 1001/1250sf/1.855mm (prime lens)WB AutoColor Adobe RGB (1998)Saving file format: RAWHow it is madeWe are in a typical student apartment, it's a warm morning at the beginning of September and B has never been photographed in a shooting. Contrary to what you might think, inexperience (sometimes) can play in our favour, "not knowing how to pose" can help you be yourself more easily and letting yourself be told for what you are instead of how you might look becomes sim...

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Camera settingsISO 1001/250sf/1.855mm (prime lens)WB AutoColor Adobe RGB (1998)Saving file format: RAWHow it is madeIn this outdoor photo, we are in a particular place: above a tower with a circular terrace and sea view and it's sunset time (golden hour!). I know, in the shot you can't see all this but it's precisely the set of these elements that provides interesting light and shadows and that particular mood that envelops the subject and his way of being. When photographing, a part...

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Camera settingsISO 4001/320sf/1.855mm (prime lens)WB AutoColor Adobe RGB (1998)Saving file format: RAWHow it is madeSkin, cold wall surface and natural light are the ingredients of this shot. The light comes from a window located to the left of the subject, the wall acts as a large reflective panel and the girl is perfectly illuminated in a half counter-light without the need to overexpose or underexpose. It's the end of May, the days are already starting to be warm and the contact of the ba...

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